Anthony Tomassini, music critic for the New York Times writes:

The opening work was Beethoven’s “Coriolan” Overture, and from the first moments — three vigorous statements of a stern, sustained C in the strings, each one bursting into a slashing chord — the sheer sound of the orchestra was mesmerizing. Throughout the program, which included a sensual account of Berg’s “Lulu” Suite and a fleet, involving performance of Beethoven’s “Eroica” Symphony, the overall sound was so rich, deep and focused, it was almost tactile.

Read the entire review.

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